Excerpted from Strings magazine, January 2003 , No. 107.


ENCORE: Rasputina takes the cello to new heights in Good Goth Almighty.


KRONOS@30

The eccentric string quartet that Rolling Stone magazine once dubbed "the Fab Four of classical music" has reached the respectable age of 30. That anniversary will be celebrated at a series of concerts and other events that include the upcoming Kronos@30 exhibition at the San Francisco Performing Arts Library and Museum. For the exhibition, beginning January 21, curator Harry Sumrall of Redludwig.com has assembled tour posters, concert programs, stage costumes, original manuscripts, musical instruments, and assorted memorabilia from the ensemble's archive. The Kronos Quartet—founder, artistic director, and violinist David Harrington, violinist John Sherba, violist Hank Dutt, and Jennifer Culp (who replaced longtime cellist Joan Jeanrenaud)—set out to foster new music. Over the years, the quartet has recorded more than 450 new works by John Cage, Terry Riley, Astor Piazzolla, Tan Dun, and Steve Reich, among others. Another 35 new works have been commissioned but not performed. "I feel like we're just getting started—there's plenty more to do," Harrington responds modestly to the suggestion that the quartet has accomplished its artistic mission.

Indeed, Kronos decided to mark this milestone by commissioning yet another new work, this time from a relatively unknown composer under the age of 30. More than 300 composers from 32 countries responded to the call for entries. "It was an amazing experience to listen to 300 composers who we'd never heard of before," Harrington says. "Many of them are so committed and so involved in finding their voice. It gave me a great deal of energy. It's been a fantastic experience and we plan on repeating it next year as well."

In the end, the quartet selected 22-year-old Alexandra Du Bois of Bloomington, Indiana. Du Bois began training as a violinist at age two and as a composer at 15.

"Trying to find music that feels like the right music has always been one of the most important things for me," Harrington says. "I would say that feeling of urgency is even more prevalent, wanting composers to find their inner voice, their strongest statement, their most universal statement, and for them then to find a way to communicate that to Kronos so we can pass it along to the audience. That is such a dynamic process, and probably one that I value now more than ever."

—Greg Cahill

Photo above: Kronos' Hank Dutt, David Harrington, John Sherba, and Jennifer Culp. Photo © Jay Blakesburg

MARTIN HAYES. Photo by Jayne Weir

Emerald Isle

Irish fiddler Martin Hayes and guitarist Dennis Cahill have written the music for an award-winning documentary film about American photographer Dorothea Lange's voyage to Ireland. Photos to Send, filmed in County Clare by Irish-American cinematographer Deirdre Lynch, has picked up top awards at the Galway and San Francisco film festivals. It also was featured at the fifth annual Frame by Frame HBO Film Documentary Series at the recent New York Film Festival. Hayes grew up immersed in the traditional music of his native Clare, a region of Ireland renowned for its music and the same county that Lange photographed in 1954. During that year, Lange—best-known for her Depression-era portraits—traveled to County Clare on assignment for Life magazine and snapped 2,400 photographs to create a lasting record of a rural way of life that would soon disappear. "Having Martin and Dennis do the music for Photos To Send was a tremendous honor," says Lynch. "Their brilliant work complements Dorothea Lange's photographs in the most heartbreakingly beautiful way. It was a perfect match."

Shock of the New

Since its inception in 1987, the New World Symphony has exhibited an affinity for all things modern. Under the artistic direction of Michael Tilson-Thomas (shown below), the NWS makes its home in the heart of Miami Beach's popular art-deco district—an homage to futurism. The musicians—85 players drawn from highly competitive national auditions and vying for spots in an intensive three-year fellowship program—reside near the NWS' Lincoln Theatre in the stylish Plymouth and Ansonia Hotels, both architectural legacies of Miami's deco era. Now the NWS has amped up its claim to modernity. On September 12, NWS became the first symphony to use Internet 2—the ultrafast information speedway usually reserved for researchers—to broadcast a concert performance, all in glorious DVD-quality sight and sound.

The concert was preceded by broadcast lectures from composers John Adams and Aaron Jay Kernis, who were located at New York's Columbia University and the University of Minnesota, respectively. The performance itself included Adams' string composition Shaker Loops, Kernis' Musica Celistis, Silvestre Revueltas' Cuauhnáhuac, (which Miami Herald critic James Roos hailed as an "Aztec renaissance masterwork"), and Alberto Ginastera's Glosses on Themes of Pablo Casals for a string quintet and string orchestra. At press time, the NWS was scheduled once again to explore the boundaries of modern science: On October 29, the wiz kids from filmmaker George Lucas' Skywalker Ranch planned to present a virtual-reality–style presentation of a recording of the September 12 concert at the University of Southern California's Bing Theatre, making it appear as if the NWS were performing live on stage. No word on how the musicians' union feels about that shocking new possibility.

 

Strad Spurs Suit

The owner of a missing Stradivari violin (shown at left) valued at $3.5 million is suing the New York dealer that apparently lost the 288-year-old instrument in April of 2002. The Cremona Society Ltd., a philanthropic organization that purchases fine instruments and makes them available to musicians, has charged Christophe Landon Rare Violins of Manhattan with negligence and breach of contract in a lawsuit filed recently in Dallas, where the society is based. In its lawsuit, the Cremona Society claims that Landon failed to protect the instrument, letting visitors view and even play it unsupervised, according to Bickel & Brewer, the Dallas law firm representing the society. Landon, which was acting as an agent for the Cremona Society in the sale of the violin, discovered that the instrument was missing on April 12, three days after it was shown to a prominent-but-unnamed player and reportedly returned to a locked room. A $100,000 reward was offered in May for information leading to the return of the instrument but it has yet to turn up. The 1714 Stradivari "Le Maurien" violin may be the latest of three Strads stolen in the past three years. The violin has had extensive restoration on the top between the f-holes, although the back, ribs, and scroll are in perfect condition. The varnish is golden red.

 


MARKO'CONNOR. Photo by Kristoffersen

The Ultimate Duet

Mark O'Connor finds himself in the awkward, if enviable, position of being in two places at once—figuratively speaking. The Grammy-winning composer, violinist, and fiddler has two world premiere concerts taking place on February 4 in New York City—at almost the same time. First, O'Connor and his Hot Swing Trio—O'Connor, guitarist Frank Vignola, and bassist Jon Burr—will be joined at Lincoln Center by jazz trumpeter Wynton Marsalis and jazz vocalist Jane Monheit, performing selections from O'Connor's upcoming Sony jazz album (yup, scheduled for release that same week). Meanwhile, at the St. Thomas Cathedral, the 40-member choir Gloriae Dei Cantores will premiere O'Connor's Folk Mass, an hour-long a cappella piece based on Biblical texts and commemorating victims of the 9/11 terrorist attacks. The choir first teamed up with O'Connor two years ago on his Appalachian Sketches album. Neither performance could be rescheduled, so O'Connor has decided to miss the Folk Mass debut. "In the spirit of following through with the idea of why I composed the Folk Mass, and in an effort to follow my own philosophy that this piece was for everybody else, 'the folk,' now that I have written it and turned it over to the public so to speak, I have come to terms that I don't need to see the premiere myself," he says. "I just really wanted it to be a compositional instrument for this healing message of hope from the outset and that is how it remains."

Kudos

PAUL KATZ. Photo by Salter

New England Conservatory cello faculty Paul Katz was the recipient of the Chevalier du Violoncelle from the Eva Janzer Memorial Cello Center of Indiana University at an October 20 awards dinner. Katz was honored as an outstanding member of the cello community for contributions to the world of cello playing and teaching. Previous recipients include Katz's teachers Bernard Greenhouse, Gabor Rejto, and Janos Starker. . . . Two Buffalo-area musicians are recipients of the 2002–2003 Henrietta and Albert J. Ziegle, Jr. Scholarships to The Juilliard School of Music. Both born in Buffalo, they are violinist Amy Schroeder, 17, a graduate of Amherst High School, and violist Sarah Lane, 21, a graduate of Williamsville High School East. Lane is a student of Toby Appel. Money bequeathed in 1970 to Juilliard by the late Norma Krull (heir to Albert J. Ziegle, founder of Ziegle Brewery) established the Ziegle Scholarship Fund. The scholarships are awarded to qualified Buffalo-area musicians. . . . Cellist Paul Watkins, 32, won the Leeds Conductors Competition on September 21, leading the Orchestra of Opera North in Beethoven's Symphony No. 7 at Leeds Town Hall. The event is the longest-running conducting competition in Britain.

Strings Campaign

The American String Teachers Association (ASTA), with the National School Orchestra Association (NSOA), has launched a promotional campaign designed to increase the visibility of string music in the United States and introduce children to the joy of learning to play a stringed instrument. The Strings Encourage Dreams campaign will feature a public service announcement by Mark O'Connor and offer promotional kits with bumper stickers, brochures, and recruitment posters that teachers, school administrators, and parents can use to publicize strings programs. For more details, call ASTA/NSOA at (707) 279-2113, ext. 12 or visit www.astaweb.com.

 

Helping Hands

The National Guild of Community Schools of the Arts has started a new program to support music education in 15 urban areas across the nation with the help of a three-year, $360,000 grant from the MetLife Foundation. The MetLife Youth Music Project will help provide year-round, free music instruction (in both private and group lessons) and encourage National Guild schools to strengthen instructional programs serving middle-school students living in underserved communities. The project will disburse annual $10,000 grants to each site to create opportunities for youths to participate in ensembles, sponsor a National Performance Week during Arts Advocacy Month (March of 2004 and 2005), and bring participating educators together each year to discuss strategies. To learn more, contact Suzanne C. Souza at (212) 268-3337, ext. 14 or email suzanne.souza@natguild.org . . . Gary Graffman, president and director of the Curtis Institute of Music, announced recently that the Helen F. Whitaker Fund has made a two-year $208,000 grant to Curtis to support the conducting program, which is headed by Otto-Werner Mueller. Robert Spano, Paavo Järvi, Alan Gilbert, and Ignat Solzhenitsyn are among the recent graduates of the program. The Whitaker Fund, which made its first grant to Curtis in 1985, has given a total of $1,127,971 to the school.

Passings

Zara Nelsova, one of the most illustrious cellists of the 20th century, died on October 10 after a long fight with cancer. Born in 1918 to a Russian family in Winnepeg, Canada, and christened Sara Nelson, Nelsova studied with her father and in London with Herbert Walenn. She made her London debut at age 12. Following her 1942 New York debut, Nelsova's performing career spanned the globe. Among her many recordings are Bloch's "Schelomo" for Cello and Orchestra and Barber's concerto, conducted by their respective composers.

—Jeffrey Solow

Violinist and conductor Rafael Druian, 80, died September 6 in Philadelphia. Druian, born in Vologda, Russia, served from 1971 to 1974 as concertmaster of the New York Philharmonic under Pierre Boulez. He also served as concertmaster of the Dallas and Minneapolis symphonies. In 1960, George Szell selected Druian to replace Josef Gingold as concertmaster of the Cleveland Symphony. Druian recorded several albums with Szell. At age eight, Druian began studying with Amadeo Roldan, the conductor of the Havana Philharmonic, and later attended the Curtis Institute at the recommendation of Leopold Stowkowski, where he studied under Lea Luboshutz and Efrem Zimbalist. Druian was remembered at a September 26 memorial concert held at the Curtis Institute.


News, from the U.S. or abroad, is always welcome. Please mail to Greg Cahill, News & Notes, Strings, PO Box 767, San Anselmo, CA 94979; fax to (415) 485-0831; or e-mail to greg@stringletter.com.

 


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