The
eccentric string quartet that Rolling Stone magazine
once dubbed "the Fab Four of classical music" has reached
the respectable age of 30. That anniversary will be celebrated
at a series of concerts and other events that include
the upcoming Kronos@30 exhibition at the San Francisco
Performing Arts Library and Museum. For the exhibition,
beginning January 21, curator Harry Sumrall of Redludwig.com
has assembled tour posters, concert programs, stage costumes,
original manuscripts, musical instruments, and assorted
memorabilia from the ensemble's archive. The Kronos Quartetfounder,
artistic director, and violinist David Harrington, violinist
John Sherba, violist Hank Dutt, and Jennifer Culp (who
replaced longtime cellist Joan Jeanrenaud)set out
to foster new music. Over the years, the quartet has recorded
more than 450 new works by John Cage, Terry Riley, Astor
Piazzolla, Tan Dun, and Steve Reich, among others. Another
35 new works have been commissioned but not performed.
"I feel like we're just getting startedthere's plenty
more to do," Harrington responds modestly to the suggestion
that the quartet has accomplished its artistic mission.
Indeed,
Kronos decided to mark this milestone by commissioning
yet another new work, this time from a relatively unknown
composer under the age of 30. More than 300 composers
from 32 countries responded to the call for entries. "It
was an amazing experience to listen to 300 composers who
we'd never heard of before," Harrington says. "Many of
them are so committed and so involved in finding their
voice. It gave me a great deal of energy. It's been a
fantastic experience and we plan on repeating it next
year as well."
In
the end, the quartet selected 22-year-old Alexandra Du
Bois of Bloomington, Indiana. Du Bois began training as
a violinist at age two and as a composer at 15.
"Trying
to find music that feels like the right music has always
been one of the most important things for me," Harrington
says. "I would say that feeling of urgency is even more
prevalent, wanting composers to find their inner voice,
their strongest statement, their most universal statement,
and for them then to find a way to communicate that to
Kronos so we can pass it along to the audience. That is
such a dynamic process, and probably one that I value
now more than ever."
Irish
fiddler Martin Hayes and guitarist Dennis Cahill have
written the music for an award-winning documentary film
about American photographer Dorothea Lange's voyage to
Ireland. Photos to Send, filmed in County Clare
by Irish-American cinematographer Deirdre Lynch, has picked
up top awards at the Galway and San Francisco film festivals.
It also was featured at the fifth annual Frame by Frame
HBO Film Documentary Series at the recent New York Film
Festival. Hayes grew up immersed in the traditional music
of his native Clare, a region of Ireland renowned for
its music and the same county that Lange photographed
in 1954. During that year, Langebest-known for her
Depression-era portraitstraveled to County Clare
on assignment for Life magazine and snapped 2,400 photographs
to create a lasting record of a rural way of life that
would soon disappear. "Having Martin and Dennis do the
music for Photos ToSend was a tremendous
honor," says Lynch. "Their brilliant work complements
Dorothea Lange's photographs in the most heartbreakingly
beautiful way. It was a perfect match."
Shock
of the New
Since
its inception in 1987, the New World Symphony has exhibited
an affinity for all things modern. Under the artistic
direction of Michael Tilson-Thomas (shown below), the
NWS makes its home in the heart of Miami Beach's popular
art-deco districtan homage to futurism. The musicians85
players drawn from highly competitive national auditions
and vying for spots in an intensive three-year fellowship
programreside near the NWS' Lincoln Theatre in the
stylish Plymouth and Ansonia Hotels, both architectural
legacies of Miami's deco era. Now the NWS has amped up
its claim to modernity. On September 12, NWS became the
first symphony to use Internet 2the ultrafast information
speedway usually reserved for researchersto broadcast
a concert performance, all in glorious DVD-quality sight
and sound.
The
concert was preceded by broadcast lectures from composers
John Adams and Aaron Jay Kernis, who were located at New
York's Columbia University and the University of Minnesota,
respectively. The performance itself included Adams' string
composition Shaker Loops, Kernis' Musica Celistis,
Silvestre Revueltas' Cuauhnáhuac, (which
Miami Herald critic James Roos hailed as an "Aztec renaissance
masterwork"), and Alberto Ginastera's Glosses on Themes
of Pablo Casals for a string quintet and string orchestra.
At press time, the NWS was scheduled once again to explore
the boundaries of modern science: On October 29, the wiz
kids from filmmaker George Lucas' Skywalker Ranch planned
to present a virtual-realitystyle presentation of
a recording of the September 12 concert at the University
of Southern California's Bing Theatre, making it appear
as if the NWS were performing live on stage. No word on
how the musicians' union feels about that shocking new
possibility.
Strad
Spurs Suit
The
owner of a missing Stradivari violin (shown at left) valued
at $3.5 million is suing the New York dealer that apparently
lost the 288-year-old instrument in April of 2002. The Cremona
Society Ltd., a philanthropic organization that purchases fine
instruments and makes them available to musicians, has charged
Christophe Landon Rare Violins of Manhattan with negligence
and breach of contract in a lawsuit filed recently in Dallas,
where the society is based. In its lawsuit, the Cremona Society
claims that Landon failed to protect the instrument, letting
visitors view and even play it unsupervised, according to Bickel
& Brewer, the Dallas law firm representing the society.
Landon, which was acting as an agent for the Cremona Society
in the sale of the violin, discovered that the instrument was
missing on April 12, three days after it was shown to a prominent-but-unnamed
player and reportedly returned to a locked room. A $100,000
reward was offered in May for information leading to the return
of the instrument but it has yet to turn up. The 1714 Stradivari
"Le Maurien" violin may be the latest of three Strads stolen
in the past three years. The violin has had extensive restoration
on the top between the f-holes, although the back, ribs, and
scroll are in perfect condition. The varnish is golden red.
MARKO'CONNOR.
Photo
by Kristoffersen
The
Ultimate Duet
Mark
O'Connor finds himself in the awkward, if enviable, position
of being in two places at oncefiguratively speaking.
The Grammy-winning composer, violinist, and fiddler has
two world premiere concerts taking place on February 4 in
New York Cityat almost the same time. First, O'Connor
and his Hot Swing TrioO'Connor, guitarist Frank Vignola,
and bassist Jon Burrwill be joined at Lincoln Center
by jazz trumpeter Wynton Marsalis and jazz vocalist Jane
Monheit, performing selections from O'Connor's upcoming
Sony jazz album (yup, scheduled for release that same week).
Meanwhile, at the St. Thomas Cathedral, the 40-member choir
Gloriae Dei Cantores will premiere O'Connor's Folk Mass,
an hour-long a cappella piece based on Biblical texts and
commemorating victims of the 9/11 terrorist attacks. The
choir first teamed up with O'Connor two years ago on his
Appalachian Sketches album. Neither performance could
be rescheduled, so O'Connor has decided to miss the Folk
Mass debut. "In the spirit of following through with the
idea of why I composed the Folk Mass, and in an effort to
follow my own philosophy that this piece was for everybody
else, 'the folk,' now that I have written it and turned
it over to the public so to speak, I have come to terms
that I don't need to see the premiere myself," he says.
"I just really wanted it to be a compositional instrument
for this healing message of hope from the outset and that
is how it remains."
Kudos
PAUL KATZ. Photo
by Salter
New England
Conservatory cello faculty Paul Katz was the recipient
of the Chevalier du Violoncelle from the Eva Janzer Memorial
Cello Center of Indiana University at an October 20 awards
dinner. Katz was honored as an outstanding member of the
cello community for contributions to the world of cello
playing and teaching. Previous recipients include Katz's
teachers Bernard Greenhouse, Gabor Rejto,
and Janos Starker. . . . Two Buffalo-area musicians
are recipients of the 20022003 Henrietta and Albert
J. Ziegle, Jr. Scholarships to The Juilliard School of Music.
Both born in Buffalo, they are violinist Amy Schroeder,
17, a graduate of Amherst High School, and violist Sarah
Lane, 21, a graduate of Williamsville High School East.
Lane is a student of Toby Appel. Money bequeathed
in 1970 to Juilliard by the late Norma Krull (heir to Albert
J. Ziegle, founder of Ziegle Brewery) established the Ziegle
Scholarship Fund. The scholarships are awarded to qualified
Buffalo-area musicians. . . . Cellist Paul Watkins,
32, won the Leeds Conductors Competition on September 21,
leading the Orchestra of Opera North in Beethoven's Symphony
No. 7 at Leeds Town Hall. The event is the longest-running
conducting competition in Britain.
Strings
Campaign
The American
String Teachers Association (ASTA), with the National School
Orchestra Association (NSOA), has launched a promotional
campaign designed to increase the visibility of string music
in the United States and introduce children to the joy of
learning to play a stringed instrument. The Strings Encourage
Dreams campaign will feature a public service announcement
by Mark O'Connor and offer promotional kits with
bumper stickers, brochures, and recruitment posters that
teachers, school administrators, and parents can use to
publicize strings programs. For more details, call ASTA/NSOA
at (707) 279-2113, ext. 12 or visit www.astaweb.com.
Helping
Hands
The National
Guild of Community Schools of the Arts has started a new
program to support music education in 15 urban areas across
the nation with the help of a three-year, $360,000 grant
from the MetLife Foundation. The MetLife Youth Music
Project will help provide year-round, free music instruction
(in both private and group lessons) and encourage National
Guild schools to strengthen instructional programs serving
middle-school students living in underserved communities.
The project will disburse annual $10,000 grants to each
site to create opportunities for youths to participate in
ensembles, sponsor a National Performance Week during Arts
Advocacy Month (March of 2004 and 2005), and bring participating
educators together each year to discuss strategies. To learn
more, contact Suzanne C. Souza at (212) 268-3337, ext. 14
or email suzanne.souza@natguild.org . . . Gary Graffman,
president and director of the Curtis Institute of Music,
announced recently that the Helen F. Whitaker Fund has made
a two-year $208,000 grant to Curtis to support the conducting
program, which is headed by Otto-Werner Mueller. Robert
Spano, Paavo Järvi, Alan Gilbert, and Ignat Solzhenitsyn
are among the recent graduates of the program. The Whitaker
Fund, which made its first grant to Curtis in 1985, has
given a total of $1,127,971 to the school.
Passings
Zara Nelsova,
one of the most illustrious cellists of the 20th century,
died on October 10 after a long fight with cancer. Born
in 1918 to a Russian family in Winnepeg, Canada, and christened
Sara Nelson, Nelsova studied with her father and in London
with Herbert Walenn. She made her London debut at age 12.
Following her 1942 New York debut, Nelsova's performing
career spanned the globe. Among her many recordings are
Bloch's "Schelomo" for Cello and Orchestra and Barber's
concerto, conducted by their respective composers.
Jeffrey
Solow
Violinist and
conductor Rafael Druian, 80, died September 6 in
Philadelphia. Druian, born in Vologda, Russia, served from
1971 to 1974 as concertmaster of the New York Philharmonic
under Pierre Boulez. He also served as concertmaster of
the Dallas and Minneapolis symphonies. In 1960, George Szell
selected Druian to replace Josef Gingold as concertmaster
of the Cleveland Symphony. Druian recorded several albums
with Szell. At age eight, Druian began studying with Amadeo
Roldan, the conductor of the Havana Philharmonic, and later
attended the Curtis Institute at the recommendation of Leopold
Stowkowski, where he studied under Lea Luboshutz and Efrem
Zimbalist. Druian was remembered at a September 26 memorial
concert held at the Curtis Institute.
News, from the U.S. or abroad, is always welcome. Please
mail to Greg Cahill, News & Notes, Strings, PO Box 767, San
Anselmo, CA 94979; fax to (415) 485-0831; or e-mail to greg@stringletter.com.