Excerpted from Strings magazine, May/June 2003, No. 110.

 

Rock 'n' Roll High School

String education achieved a milestone on January 24 when the Lakewood Project–a high school rock orchestra using eight electric stringed instruments–performed at the Rock and Roll Hall of Fame in Cleveland, Ohio. The orchestra featured both acoustic and electric instruments. The project, a joint venture between progressive rock/pop electric violinist Mark Wood–who built a double quartet of electric instruments for the orchestra–and Cleveland string teacher Beth Hankins, marks the first time the Hall of Fame has showcased a string ensemble. "It’s a new approach to a string program that was refreshing and exciting for the kids," says Wood. "As you can imagine, the kids jumped right into this. They went from being forced to practice to their parents yelling at them about practicing too long on these electric instruments. Both teachers and parents were impressed by this response."

This wasn’t the first venture into the rock world for the Juilliard-trained Wood. He is lead violinist and string conductor with the Trans-Siberian Orchestra and has toured and performed with Celine Dion, Everclear, Billy Joel, Lenny Kravitz, Jewel, and others. He is owner and operator of Mark Wood Violins and recently built a quartet of electric instruments for the Juilliard School of Music. At press time, the Juilliard Electric Ensemble planned to perform one of Wood’s rock compositions in April at its Beyond the Machine concert series held at Lincoln Center.

Road Trip

Heart & Hands, the traveling photographic exhibit depicting 250 instrument makers from across the United States, arrived April 1 at the Smithsonian Institution for a month-long stay after a couple of years on the road. The exhibit, which includes spectacular shots by Colorado-based photographer Jake Jacobson, features dozens of images of stringed-instrument makers and celebrates their craft. Proceeds from sales of the book Heart & Hands: Musical Instrument Makers of America (Könemann Press, 1999) help fund a foundation devoted to supplying lutherie tools and instruction to programs that blend art and music.

Nagano Love Fest

Kent Nagano, the ruggedly handsome surfer who heads up the Berkeley Symphony Orchestra, sparked a media love fest recently while being courted as the next music director of the Montreal Symphony Orchestra. Canadian journalists fell head over heels for the 51-year-old after Nagano visited the MSO in late January to guest conduct Schubert’s Symphony No. 9. That put Montreal audiences in a Romantic mood. La Presse proclaimed the performance "a miracle." Then the Bavarian State Opera in Munich announced in early February that Nagano will succeed Zubin Mehta as its music director beginning in September 2006. At press time, no music director had been named at MSO.


Cello Again


And now for something completely different. The 9th annual New Directions Cello Festival—the world's only festival dedicated exclusively to nonclassical and alternative cello—will take place June 27 through 29, at Lawrence University in Appleton, Wisconsin. This year's eclectic lineup includes Sera Smolen & Tom Mank (a cello and guitar folk/blues duo with improv), Matt Turner (avant improv & jazz), the Neptune Quartet (cello, guitar, mandolin, bass performing acoustic world music), Stephanie Winters (solo and multicello arrangements), Wyndfall (a Celtic, jazz, folk/rock quartet), and Chance (vocal and cello duo).

The NDCF is a performance and educational forum for the current state of the cello's involvement in contemporary musical styles. There are concerts, workshops (for players at all skill levels), jam sessions, an exhibition of electric instruments, a Young People's Cello-Bration, a Cello Big Band, and more. The non-traditional celloing begins on late in the morning on Friday, June 27 and continues until around 3 p.m. on Sunday, June 29. The registration fee for all the festival activities is $170 if mailed by May 1, 2003. After that the cost of attending goes up to $195. It is also possible to attend one day or just the concerts. Members of the New Directions Cello Association receive a 10 percent discount on festival fees. Housing costs on the campus range from about $20 to $40 a night (per person), depending on whether it is a single or a double occupation.

For details, visit www.newdirectionscello.com or email info@newdirectionscello.com or write NDCA, 501 Linn St., Ithaca, NY, 14850 or call 877-665-5815 (toll free).

The Wide, Wide World of Scheinman

She isn't a household name–unless your house happens to be a converted loft on the hip side of town–but Jenny Scheinman, 29, is one of the most listened-to violinists around thanks to her recent contribution to the chart-topping café jazz album Come Away with Me (Blue Note), the 2003 Grammy-winning release by chanteuse Norah Jones. "Number one! Can you believe it–that’s so great," she says, during a phone interview from her New York apartment. Expect to hear a whole lot more of Scheinman in the coming months. A classically trained musician, she has completed three recording projects in the past year alone with acclaimed avant-jazz guitarist Bill Frisell (with whom she has toured extensively). Those include the new CD The Intercontinentals (Nonesuch), which boasts gentle West African guitar rhythms; last year's Richter 858, a fearless set of guitar and violin duos inspired by the abstract paintings of German painter Gerhardt Richter and released as a companion CD to an art book; and an upcoming disc that features Frisell backed by a string trio of Scheinman, violinist Eyvind Kang, and cellist Hank Roberts. "I love performing with Bill," Scheinman explains. "Sometimes we'll stop in the middle of a set and play a bunch of old fiddle tunes, like 'Cluck Old Hen' and 'Blackberry Blossom'–songs that I played with my dad when I was a kid."

But the project that has caught the ear of critics of late is Scheinman's own CD The Rabbi's Lover (Tadzik), which spans the sonic realm from ghostly klezmer melodies to red-hot fusion. "I guess that I've played a lot of different kinds of music just in making a living and never felt all that attached to any one style," she says. "I think that musicians in my generation–and especially people younger than me–have been exposed to so much music from around the world that it’s become very integrated in our lives. It really has changed the sort of music that we write, reference, and play."

–Greg Cahill

photo by Solange Gould

Stern Stuff

History soon may be made when the highly anticipated Stern Collection goes on the auction block on May 8. The prized collection, from the estate of the late Isaac Stern, includes two violins crafted for the fabled virtuoso by New York luthier Samuel Zygmuntowicz, whose much—sought-after fiddles fetch upwards of $30,000 and command a four-year waiting list.

The Stern instruments–faithful copies of the "Ysaye" Guarneri Del Gesu (made in 1991) and of the "Stern-Panette" Guarneri Del Gesu (made in 1994)–are expected to bring the highest price ever paid for a contemporary violin at auction. "I wouldn’t be surprised if they went for over $40,000," says Jason Price of Tarisio auction house. "It is difficult for contemporary instruments to sell at auction, but we don’t expect any difficulties with these. However, we still have pretty conservative estimates [$18,000 to $20,000 for the Panette and $20,000 to $28,000 for the Ysaye]."

Stern, who died in 2001, frequently loaned the instruments to talented prodigies and even delighted in fooling famous musician friends who couldn't tell the difference in the sound between the originals and the copies. "I'd heard of Sam Zygmuntowicz, tried one of his violins and found it extraordinarily easy to play," Stern recalled during a 2001 interview with the McNeil News Hour. "And I met him and learned also to what degree he had this extraordinary eye and capacity to literally copy your own violin."

For Zygmuntowicz, the auction is something of a mixed blessing. "It's an interesting twist on new making and interesting to suddenly be subject to the vagaries of that market," he says. "It's a little bit of an eerie feeling."

–G.C.

Sphinx Winners Named

The Sphinx Competition, the Detroit-based organization dedicated to bolstering diversity in orchestras, selected its 2003 winners after a week-long series of events in February. Winners in the seniors division were Bryan Hernandez-Luch (pictured above), violin, first-place; Ryan Murphy, cello, second-place; and Mariana Green, violin, third-place.

In the juniors division the winners were Elena Urioste, violin, first-place; Trevor Ochieng, violin, second-place; and Amyr Joyner, violin, third-place. Combined prizes include more than $100,000 in cash and scholarships to top summer music camps. Winners also get the chance to appear with the Detroit, Chicago, Boston, St. Louis, New York, and Atlanta symphonies.

Toy Symphony Update

The list of string players drawn into composer and MIT Media Lab professor Tod Machover's visionary world is growing. On April 26, Machover's Toy Symphony was scheduled to make its U.S. premiere in Boston's Kresge Auditorium with Irish virtuoso Cora Venus Lunny on hyperviolin and a children's choir and orchestra playing hi-tech beatbugs and music shapers. New Yorkers get their first taste of the symphony May 17 and 18 at Winter Garden at the World Financial Center. Meanwhile, the Oxingale label has released a new CD of the symphony featuring guest soloists Matt Haimovitz on hypercello and Kim Kashkashian on hyperviola. Past plugged-in players have included Joshua Bell (Strings, October 2002) and Yo-Yo Ma.

NJSO Lands 30 Rare Italians

Thanks to an extensive series of loans, the New Jersey Symphony Orchestra has taken possession of 30 rare Italian stringed instruments. In February, philanthropist Herbert Axelrod generously agreed to take $18 million for the so-called Golden Age Collection, which includes 12 Stradivari violins. Axelrod, who made his fortune in the tropical-fish business, was offered as much as $55 million for the instruments. The public had its first opportunity to hear the instruments on April 26 at a fundraiser at Liberty State Park in Jersey City and can hear them again from June 1–8 at a new Bach festival.

Go West

The annual Monumental Fiddling Championship will be held May 24 at Homestead National Monument of America, four miles west of Beatrice, Nebraska. The popular festival celebrates music from the region's homesteading era. This year, the Nebraska chapter of the American String Teachers Association is sponsoring a fiddle tune writing contest at the event. Admission is free of charge. For details, contact Deb Greenblatt at g-s@alltel.net.

 

 

Musical Chairs

Peter Oundjian has been appointed as music director of the Toronto Symphony Orchestra. He will take over the podium for the 2004–2005 season. Prior to his career as a conductor, the 46-year-old Oundjian was the first violinist of the Tokyo String Quartet. . . Minnesota Orchestra president David J. Hyslop has announced that he will step down from his position in November, after the orchestra's 100th birthday concert. Hyslop has served on several major boards, including that of the American Symphony Orchestra League. . . Andre De Quadros, professor and chairman of the music education department at the Boston University College of Fine Arts has become the new director of the institution's School of Music. He is a trained violinist. . . Eleonore Schoenfeld has joined the cello faculty at the Encore School for Strings in Hudson, Ohio.

Prize Winner

Berlin-born Walter Levin, the first violinist of the LaSalle Quartet, has won the €15,000 Frankfurt Music Prize. He is a professor emeritus at the College-Conservatory of Music at the University of Cincinnati. Previous winners include violinist Gidon Kremer.

Check This Out

The Brooklyn Public Library has reopened and expanded its popular circulating Orchestra Collection, which now includes more than 600 titles. The collection has been used as a resource by up to 70 different community orchestral groups, including the Brooklyn Symphony Orchestra.

Passings

Violinist, teacher, and new music advocate Margaret Farish, 84, died February 9. Farish, who held a master’s degree from the Eastman School of Music, was known for her bibliographic String Music in Print and Orchestral Music in Print series.


News, from the U.S. or abroad, is always welcome. Please mail to Greg Cahill, News & Notes, Strings, PO Box 767, San Anselmo, CA 94979; fax to (415) 485-0831; or e-mail to greg@stringletter.com.

 


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