Shop Talk
Preparing Your Instrument for
Historical Performance

Photo Essay Part Two

by Sarah Freiberg
photographs by Daniel Larson


PHOTO ESSAY
PART TWO—THIS PAGE
  The scroll—which will be preserved and reattached to the Baroque-style neck—is sawed away from the modern neck.
  The original scroll is jointed to a shorter neck blank using a French splice. Clamps hold the pieces in place until the glue sets.
  A top view of the splice between the existing scroll and the new neck. The long extension of the new neck into the cheeks of the pegbog ensures lots of surface area for glue and a strong bond between the parts.
 

The existing scroll is now integrated with the new neck. The neck is then shaped to the proper profile.

  A new neck block is clamped into place.
  The new neck and neck block are pre-drilled and ready for gluing and attachment with three nails.
  A clamp holds the neck in place while the glue sets. The nail heads are visible in the neck block.
  Neck, body, and belly are reassambled and ready for a new Baroque-style fingerboard.
 

The new maple fingerboard is attached and the instrument is ready for final finishing, fittings, and strings.

To see some wonderful examples of Baroque violins made by Daniel Larson, the photographer of this series, visit www.daniellarson.com.

To learn about sources for Baroque-style gut strings, click here.



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